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play in the band and finally cemented the line-up with the addition of texan
bryan jones on bass at the beginning of 1992. by that time (after a propitious
start to the band--opening for the likes of all, the butthole surfers, fugazi,
and oh yeah, green day) horace pinker was beginning to attract a loyal local
following.
and canada over an eight month period, with one member always stuck in the
coffin (the small cramped space on top of the equipment in the back). playing
close to one hundred shows in addition to finishing their first album, power
tools, 1993 established the band as one of the hardest working in the underground
scene.
playing the dynamo festival in holland prior to a three month european tour.
after fat wreck released the "i hate horace pinker" 7" and offtime the hp/doc
hopper split, the band worked on new material as they toured north america
and europe.
norway in november of '96. by then, it was time for a break.
pinker began to have label problems. pop culture failure found a home
on chicago's jump up! records in the new millennium, released shortly
after coldfront put out their brand new ep copper regret, with new bassist chris bauermeister (jawbreaker).
with the two new releases under their belt, horace pinker embarked on a 10,000 mile
tour of canada and the western u.s. with all systems go in the summer of 2000.
in hollywood for the track ‘more at home,’ featured on their new full length album texas one ten, to be released in may 2005 on chicago’s thick records.